When I awoke and went on my blog comments today I saw a comment from
Nina, the artist who had so much influence on this piece. And what a beautiful comment it was. It’s hard to express how I feel that Nina took the time to publicly comment. It means the world to me.
And yes I cannot wait to spend 5 days with her next year. I will try to soak up everything she has to teach. Her techniques are so clever, well most of you reading this will know. I will be grateful to not zip through a one day workshop trying to remember it all. I am not a jeweller but those Nina knots got me stumped many a time until
Ro came to the rescue.
Next year it's 5 days to see the world through Nina’s eyes. You know how she writes, how she views nature and then applies that into her works of art. I cannot wait. You know when every now and then someone comes into your life that has a significant impact on you and even changes your perspective on things.
Well such was Nina’s impact on me.
I mean who would have ever thought I would be foraging the harbours and beaches of this beautiful city for beach glass and rocks that look like hearts.
Nina, what have you done to me??? LOL, I am loving it. Thanks for opening my eyes to nature.
So why the photo and reference to Grasshopper and the series Kung Fu - (Gosh I am showing my age here). Well, Kwai Chang Caine (David Carradine) was trained mostly by Master Kan and Master Po at the Shaolin Temple in China.
The first meeting between the young Caine and Master Po contains the following:
"Of all things, to live in darkness must be the worst." -young Caine
"Fear is the only darkness." -Master Po
"Never assume that because a man has no eyes, he cannot see." -Po
'Close your eyes. What do you hear?' -Po
'I hear the water. I hear the birds.' -young Caine
'Do you hear your own heartbeat?' 'No.'
'Do you hear the grasshopper which at your feet?'
Caine opens his eyes and looks down at his feet to see a grasshopper there.
'Old Man, how is it that you hear these things?'
"Young Man, how is it that you do not?'"
So Master Nina, thanks from Grasshopper!!!
The finale - here we go!

This one is quite difficult to see. When Michael was here we found this large stained glass window made up of lots of smaller sections. So I used one piece, covered it in aged copper tape and put a photo of Karen behind it. The book cover is a multi layer collage done in beeswax. Collaged into it is part of a brochure on the Daily Job Description for the Water Buffaloes that are there too – it is hilarious – and I am glad I put it in cos Karen loved the description too. And the 50 is there for obvious reasons.
This was such an amazing photo and I use what’s called the lomo technique to accentuate the amazing colours that Thailand’s nature has to offer. Look at the colour of the water.
A quote from Kipling’s story, "The elephants child", was placed at the bottom of the photo.
“Then Kolokolo Bird said, with a mournful cry,
'Go to the banks ofthe great grey-green, greasy Limpopo River,
all set about with fever-trees, and find out.”
The signature has the bird here for that reason.
To the right of this photo you can see a bee’s waxed page that has jump ring on it. There were 4 element/pages linked together with jump rings. On page had the encyclopedic definition of elephants, one had the same for Thailand. Then I used those tissue paper patterns I scored from Spotlight – remember that – lol. For some reason I have forgotten to photograph the last section of it which said I love Harry’s-that’s what Karen has called elephants since she was a wee lass. Those interlinking pieces of paper covered the photo above.
"The Elephants Right of Way"
Well i think if an elephant was in my path I would give him/her the right of way too!
More on the use of this book below a bit.
Regarding the photo below,
can’t you just see the love and excitement in Karen’s eyes and smile?
So a heart rock we had to find.
I dragged 2 of my kids down to a local park with a stream through it and we went a-hunting. Jackpot.
I adore vintage lenses and this was one that I felt would go well here to focus on Karen utter joy, riding Yuki. The pocket that is beside it had another photo and held 2 caricatures of Yuki and Boon-mar that Gina and Karen received, so now it was safely tucked away in the book.
I saw Nina use a glove in one of the magazine articles – ingenious. As Gina wanted to insert the Agenda that was given to them, I thought the glove idea would be great. I transferred the elephant image on the paper next to the glove and placed the following Dr. Seuss quote:
“I meant what I said and I said what I meant,
an elephant’s word is one hundred percent”.
Why, pray tell, did I put that in here, I hear you asking?
Because it is Karen 100%.
She is Honest thru and thru and her word is 100% (as is Gina’s - mind you) so it seemed fitting.
My all time favourite photo.
I just love how I managed to pull this one off, even if I do say so myself. To Photoshop this to where I wanted it took me 4 hours. So many layers and to get the photo to grade so Karen’s image was highlighted within the circle as well – I was thrilled with the end result. So thrilled that I felt the photo, placed on a simple vintage black book cover would almost suffice.
Remember the post about the soldering problems – the microscope slide piece was this piece. I used part of their uniform in here too – “the birthday gift” – a little reminder of what this trip was from Gina to Karen. The other side said, “the elephants did this trek” – which was from a story within this book. More on that in a second.
On this the final page of the inside back cover is a photo placed in a niche of an encyclopedic definition of “Ride”. Here I placed a piece of… yes; you guessed it…beach glass. I added the words, ‘tales of big game adventures to the glass”. Mica is then placed on top and screwed into the 10 pages that were stacked on top of one another to house the photo. I stitched the top with wire – no easy feat, but it looked more effective than floss.
To this, the back cover.
I found myself wondering what I was going to do with this page.
A very dimensional element would not allow the book to sit correctly.
So I collaged the transparency photo on top of the following… a very old ephemera piece that I just loved. It is an architectural type element of an elephant – like a building, here is the image behind Karen’s photo.
I felt this page had to sum up the book a bit.
As such there is a photo of Gina riding.
I found an old piece of ephemera (bottom right corner) that was from a chewing gum packet. It was an ad for Elephant finger puppet chewing gum. I noticed at the bottom that it was manufactured in New York and I was kind-of hoping Karen would recognize it from her childhood – wild guess and hope.
Eureka!!!
She had some vague recollection of it. (I think Eureka is an Aussie term, it means, I hit the jackpot).
One day I felt I needed just one more book or story about elephants for this book. I looked in 3 bookshops that had vintage books till I found an old childrens annual that had this story in it. Bits and pieces of this story have been featured in this book.
“The elephants right of way” was the name of the story.
The really funny thing about this story which I did not read until I got home was that the main character was a girl named Judy.
Well, how bl—dy perfect was that.
So I placed the title page in the back page collage, right next to Karen to represent that I too became entwined in this journey of journeys.
Details, details, details.
I hope you have enjoyed coming along this journey with me. Every Visual Anthology I do has this amount of symbolism in it. I immerse myself in the books which is why sometimes I go off-line and cannot post for a few days at a time. It takes an enormous amount of my energy. When it is finished it is very nerve wracking until my clients receive it. I usually only get a small 20 minute brief or so then they hand it over to me.
Most of my other books/albums are 60 to 80 pages long.
They take a month of production time. But as I have said once before, it’s all worth it when that phone call comes in from the recipient. Then I can breathe again.
Yes sometimes it can be hard to hand them over but I know that they are treasured and loved by entire families.
A very special thanks to Karen and Gina who have afforded me the opportunity to show my work here. It is frustrating not to have been able to do so before. Can't wait to see what you do for Gina's 50th Karen.
Happy Mother's Day to one and all. I hope you get the appreciation you all deserve and breakfast in bed.
xox